Vasily Kharyuzov (born 1995, Moscow)

From 2004 to 2011, he studied at the MAKHL RAKh Lyceum. In 2011, he entered the Painting Faculty at the Surikov Moscow State Academic Art Institute, where he studied mural painting under the supervision of E.N. Maksimov. In 2017, he graduated with honors. From 2018 to 2019, he studied at the School of Contemporary Art «Free Workshops» at the Moscow Museum
of Modern Art MMOMA.

2013 — «Moscow and Muscovites»
2016 — All-Russian Art Exhibition «The Youth of Russia»
2017 — «Youth — 34»
2018 — «Beauty!», V.I. Vernadsky State Geological Museum of the Russian Academy of Sciences
2018 — «Coordinates», CTI Fabrika, MMOMA
2019 — «Youth — 19»
2019 — «Dysmorphophobia», MMOMA
2019 — «FREE.OFF LIBERATION», CTI Fabrika, MMOMA

The series titled «Gospel Parables» is a polyptych consisting of eight works and four different plots. It includes four figural compositions and four still lifes that complement each plot.
The still lifes, featuring the characters' attributes, are executed in oil on rusty metal, which is unusual and expressive in itself. For the shepherd, there are bread, a knife, a flute, and shears; for the wise virgins, there are vessels with oil; for the vineyard keeper, there are grapes,
a pickaxe, and denarii; and for the sower, there are a scythe, a sickle, and a pitchfork.

The overall color scheme of the series is quite dark and monochromatic, filled with various shades of red-brown and ochre. This creates depth in space and imagery. Through the chosen color palette, the artist aimed to delve into the understanding of the word «parable». Indeed, when viewing all the works, one involuntarily perceives certain ancient images. At the same time, it can be noted that both the characters, with their clothing and attributes, and the still lifes
with their objects are not tied to any particular era. They exist outside of time, illustrating
the relevance of these parables in both ancient and modern contexts.

Vasily Kharyuzov (born 1995, Moscow)

From 2004 to 2011, he studied at the MAKHL RAKh Lyceum. In 2011,
he entered the Painting Faculty at the Surikov Moscow State Academic Art Institute, where he studied mural painting under the supervision of E.N. Maksimov. In 2017, he graduated with honors. From 2018 to 2019, he studied at the School of Contemporary Art «Free Workshops» at the Moscow Museum of Modern Art MMOMA.

2013 — «Moscow and Muscovites»
2016 — All-Russian Art Exhibition «The Youth of Russia»
2017 — «Youth — 34»
2018 — «Beauty!», V.I. Vernadsky State Geological Museum of the Russian Academy of Sciences
2018 — «Coordinates», CTI Fabrika, MMOMA
2019 — «Youth — 19»
2019 — «Dysmorphophobia», MMOMA
2019 — «FREE.OFF LIBERATION», CTI Fabrika, MMOMA

The series titled «Gospel Parables» is a polyptych consisting of eight
works and four different plots. It includes four figural compositions and four still lifes that complement each plot. The still lifes, featuring the characters' attributes, are executed in oil on rusty metal, which is unusual
and expressive in itself. For the shepherd, there are bread, a knife, a flute, and shears; for the wise virgins, there are vessels with oil; for the vineyard keeper, there are grapes, a pickaxe, and denarii; and for the sower,
there are a scythe, a sickle, and a pitchfork.

The overall color scheme of the series is quite dark and monochromatic, filled with various shades of red-brown and ochre. This creates depth in space and imagery. Through the chosen color palette, the artist aimed to delve into the understanding of the word «parable». Indeed, when viewing
all the works, one involuntarily perceives certain ancient images.
At the same time, it can be noted that both the characters, with their
clothing and attributes, and the still lifes with their objects are not tied
to any particular era. They exist outside of time, illustrating the relevance
of these parables in both ancient and modern contexts.

Vasily Kharyuzov (born 1995, Moscow)

From 2004 to 2011, he studied at the MAKHL RAKh Lyceum. In 2011, he entered the Painting Faculty at the Surikov Moscow State Academic Art Institute, where he studied mural painting under the supervision of E.N. Maksimov.
In 2017, he graduated with honors.
From 2018 to 2019, he studied at the School
of Contemporary Art «Free Workshops»
at the Moscow Museum of Modern Art MMOMA.

2013 — «Moscow and Muscovites»
2016 — All-Russian Art Exhibition
«The Youth of Russia»
2017 — «Youth — 34»
2018 — «Beauty!», V.I. Vernadsky State Geological Museum of the Russian Academy
of Sciences
2018 — «Coordinates», CTI Fabrika, MMOMA
2019 — «Youth — 19»
2019 — «Dysmorphophobia», MMOMA
2019 — «FREE.OFF LIBERATION», CTI Fabrika, MMOMA

The series titled «Gospel Parables» is
a polyptych consisting of eight works and four different plots. It includes four figural compositions and four still lifes that complement each plot. The still lifes, featuring the characters' attributes, are executed in oil
on rusty metal, which is unusual
and expressive in itself. For the shepherd,
there are bread, a knife, a flute, and shears;
for the wise virgins, there are vessels with oil; for the vineyard keeper, there are grapes,
a pickaxe, and denarii; and for the sower,
there are a scythe, a sickle, and a pitchfork.

The overall color scheme of the series is quite dark and monochromatic, filled with various shades of red-brown and ochre. This creates depth in space and imagery. Through
the chosen color palette, the artist aimed
to delve into the understanding of the word «parable». Indeed, when viewing all the works, one involuntarily perceives certain ancient images. At the same time, it can be noted that both the characters, with their clothing and attributes, and the still lifes with their objects are not tied to any particular era. They exist outside of time, illustrating the relevance
of these parables in both ancient and modern contexts.